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INTAGLIO
Including drypoint and etching processes.
Intaglio: Team Members
PRESSURE + INK: INTAGLIO PROCESS
A process overview, including drypoint and etching.
From the Museum of Modern Art, 2011.
Intaglio - Line Etching with Hard Ground
Susanna Crum, 2020.
Intaglio - Etching, Proofing, and Re-Etching a Copper Plate
Susanna Crum, 2020.
STUDENT WORK

Line etching with black relief roll. Plates cut with CNC router.

Line Etching with Soft Ground, Drypoint, and Aquatint

Line Etching with Drypoint and Aquatint

Artist's Books with Line Etchings

Artist's Books with Line Etchings

Artist's Books with Line Etchings

BFA Printmaking, Fall 2017

Line Etching with Drypoint

Line etching with aquatint

Basic Printmaking Media, fall 2016

Etching with Chine Collé and Screenprint

Line Etching with Engraving

Intermediate Intaglio, Fall 2017

Intermediate Intaglio, Fall 2016

Basic Printmaking Media, Fall 2016

BFA Printmaking, Fall 2017

Basic Printmaking Media, Fall 2016

Basic Printmaking Media, Fall 2016
Making a Drypoint Intaglio Plate
Use an acrylic Akua Printmaking Plate and a variety of traditional and found tools to make lines and tones in an intaglio plate. These are drypoint and engraving processes - they do not require acid or grounds.
Susanna Crum, 2020.
Print from Anywhere: One-Color Intaglio
Use an acrylic Akua Printmaking Plate, a metal spoon, and a cloth to make drypoint prints on Kozo (mulberry) paper.
Susanna Crum, 2020.
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