INTAGLIO

Including drypoint and etching processes.

 
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PRESSURE + INK: INTAGLIO PROCESS

A process overview, including drypoint and etching.

From the Museum of Modern Art, 2011.

Intaglio - Line Etching with Hard Ground

Susanna Crum, 2020.

Intaglio - Etching, Proofing, and Re-Etching a Copper Plate

Susanna Crum, 2020.

STUDENT WORK

Line etching with black relief roll. Plates cut with CNC router.
Line etching with black relief roll. Plates cut with CNC router.
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Line Etching with Soft Ground, Drypoint, and Aquatint
Line Etching with Soft Ground, Drypoint, and Aquatint
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Line Etching with Drypoint and Aquatint
Line Etching with Drypoint and Aquatint
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Artist's Books with Line Etchings
Artist's Books with Line Etchings
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Artist's Books with Line Etchings
Artist's Books with Line Etchings
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Artist's Books with Line Etchings
Artist's Books with Line Etchings
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BFA Printmaking, Fall 2017
BFA Printmaking, Fall 2017
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Line Etching with Drypoint
Line Etching with Drypoint
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Line etching with aquatint
Line etching with aquatint
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Basic Printmaking Media, fall 2016
Basic Printmaking Media, fall 2016
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Etching with Chine Collé and Screenprint
Etching with Chine Collé and Screenprint
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Line Etching with Engraving
Line Etching with Engraving
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Intermediate Intaglio, Fall 2017
Intermediate Intaglio, Fall 2017
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Intermediate Intaglio, Fall 2016
Intermediate Intaglio, Fall 2016
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Basic Printmaking Media, Fall 2016
Basic Printmaking Media, Fall 2016
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BFA Printmaking, Fall 2017
BFA Printmaking, Fall 2017
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Basic Printmaking Media, Fall 2016
Basic Printmaking Media, Fall 2016
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Basic Printmaking Media, Fall 2016
Basic Printmaking Media, Fall 2016
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Making a Drypoint Intaglio Plate

Use an acrylic Akua Printmaking Plate and a variety of traditional and found tools to make lines and tones in an intaglio plate. These are drypoint and engraving processes - they do not require acid or grounds.

Susanna Crum, 2020.

Print from Anywhere: One-Color Intaglio

Use an acrylic Akua Printmaking Plate, a metal spoon, and a cloth to make drypoint prints on Kozo (mulberry) paper.

Susanna Crum, 2020.