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INTAGLIO
Including drypoint and etching processes.
Intaglio: Team Members
PRESSURE + INK: INTAGLIO PROCESS
A process overview, including drypoint and etching.
From the Museum of Modern Art, 2011.
Intaglio - Line Etching with Hard Ground
Susanna Crum, 2020.
Intaglio - Etching, Proofing, and Re-Etching a Copper Plate
Susanna Crum, 2020.
STUDENT WORK
Line etching with black relief roll. Plates cut with CNC router.
Line Etching with Soft Ground, Drypoint, and Aquatint
Line Etching with Drypoint and Aquatint
Artist's Books with Line Etchings
Artist's Books with Line Etchings
Artist's Books with Line Etchings
BFA Printmaking, Fall 2017
Line Etching with Drypoint
Line etching with aquatint
Basic Printmaking Media, fall 2016
Etching with Chine Collé and Screenprint
Line Etching with Engraving
Intermediate Intaglio, Fall 2017
Intermediate Intaglio, Fall 2016
Basic Printmaking Media, Fall 2016
BFA Printmaking, Fall 2017
Basic Printmaking Media, Fall 2016
Basic Printmaking Media, Fall 2016
Making a Drypoint Intaglio Plate
Use an acrylic Akua Printmaking Plate and a variety of traditional and found tools to make lines and tones in an intaglio plate. These are drypoint and engraving processes - they do not require acid or grounds.
Susanna Crum, 2020.
Print from Anywhere: One-Color Intaglio
Use an acrylic Akua Printmaking Plate, a metal spoon, and a cloth to make drypoint prints on Kozo (mulberry) paper.
Susanna Crum, 2020.
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